{"id":8581,"date":"2024-10-15T11:41:04","date_gmt":"2024-10-15T10:41:04","guid":{"rendered":"https:\/\/dzwatch.dz\/?p=8581"},"modified":"2024-10-15T11:41:06","modified_gmt":"2024-10-15T10:41:06","slug":"guelma-to-host-11th-edition-of-international-forum-on-kateb-yacine-focusing-on-nedjma-and-popular-theatre","status":"publish","type":"post","link":"https:\/\/dzwatch.dz\/?p=8581","title":{"rendered":"Guelma to Host 11th Edition of International Forum on Kateb Yacine, Focusing on &#8220;Nedjma and Popular Theatre&#8221;"},"content":{"rendered":"\n<p><strong>Guelma<\/strong> \u2013 The 11th edition of the International Forum on the life and works of renowned Algerian writer Kateb Yacine (1929-1989) will take place in Guelma from October 26 to 28, 2024. The theme of this year&#8217;s forum, &#8220;The Nedjma Circle and the Popular Theatre Circle: Convergences, Divergences, and Influences,&#8221; will delve into the relationship between Yacine&#8217;s famous novel <em>Nedjma<\/em> and his contributions to popular theatre. The announcement was made by Ali Abbasi, head of the organizing committee.<\/p>\n\n\n\n<p>Abbasi, who also serves as the president of the Association for the Promotion of Tourism and Cultural Animation of Guelma, the organizing body of the event, explained that the topic for this year was selected by the forum&#8217;s scientific council. This decision was based on the profound impact of Yacine\u2019s literary and theatrical works in representing the realities of the popular classes, as well as his mastery of social discourse.<\/p>\n\n\n\n<p>The forum will feature 17 presentations by scholars and experts from various countries, including France, Tunisia, and Italy, as well as professors from several Algerian universities. These contributions will explore the artistic and symbolic dimensions of Yacine\u2019s work, particularly focusing on <em>Nedjma<\/em>, which he wrote during a pivotal period in Algeria\u2019s history, following the outbreak of the War of Independence. The novel blends fantasy with reality, intertwining themes of history, patriotism, sacrifice, and revolutionary struggle against colonialism.<\/p>\n\n\n\n<p>In addition to discussions on <em>Nedjma<\/em>, several presentations will examine Yacine&#8217;s significant contributions to theatre. These include works such as <em>The Encircled Corpse<\/em>, the <em>Circle of Retribution<\/em> theatre series, and <em>The Man with the Rubber Boots<\/em>. Yacine&#8217;s theatrical pieces often employed techniques that linked the text to its social context, making his theatre a voice of and for the people, addressing their concerns and aspirations.<\/p>\n\n\n\n<p>This year&#8217;s forum coincides with the 35th anniversary of Kateb Yacine\u2019s death (born August 6, 1929, and passed away on October 28, 1989). Alongside the academic sessions, the event will also feature a tourist tour and a football tournament for youth under 16 years old.<\/p>\n\n\n\n<p>For more information, visit <a href=\"http:\/\/dzwatch.dz\">DZWATCH<\/a>.<\/p>\n\n\n\n<p><strong>Author:<\/strong> Nor-Eleslam<\/p>\n\n\n\n<p><strong>kateb yacine nedjma popular theatre<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Guelma \u2013 The 11th edition of the International Forum on the life and works of renowned Algerian writer Kateb Yacine (1929-1989) will take place in Guelma from October 26 to 28, 2024. The theme of this year&#8217;s forum, &#8220;The Nedjma Circle and the Popular Theatre Circle: Convergences, Divergences, and Influences,&#8221; will delve into the relationship &hellip;<\/p>\n","protected":false},"author":1,"featured_media":8582,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"rank_math_lock_modified_date":false,"cybocfi_hide_featured_image":"","iawp_total_views":12,"footnotes":""},"categories":[41],"tags":[],"class_list":["post-8581","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture"],"acf":[],"_links":{"self":[{"href":"https:\/\/dzwatch.dz\/index.php?rest_route=\/wp\/v2\/posts\/8581","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dzwatch.dz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dzwatch.dz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dzwatch.dz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dzwatch.dz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8581"}],"version-history":[{"count":1,"href":"https:\/\/dzwatch.dz\/index.php?rest_route=\/wp\/v2\/posts\/8581\/revisions"}],"predecessor-version":[{"id":8583,"href":"https:\/\/dzwatch.dz\/index.php?rest_route=\/wp\/v2\/posts\/8581\/revisions\/8583"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dzwatch.dz\/index.php?rest_route=\/wp\/v2\/media\/8582"}],"wp:attachment":[{"href":"https:\/\/dzwatch.dz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8581"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dzwatch.dz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8581"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dzwatch.dz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8581"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}