Kalthoum, born Aïcha Adjouri on April 4, 1916, in Blida, is celebrated as a trailblazer of Algerian theater and cinema. Renowned for her roles in classic films and as one of the first Algerian women to grace the stage, she paved the way for countless female artists.
Defying familial and societal prejudices, Kalthoum, guided by theater pioneer Mahieddine Bachtarzi, began her career in 1935 with his troupe, excelling in singing, dancing, and acting despite initial resistance. After a tour in France, she focused on theater, starring in works by Bachtarzi, Rachid Ksentini, and Habib Réda. In 1947, she joined the inaugural Arab season of the Algiers Opera, dominating female roles and becoming a staple on radio theater.
She also made her mark in music, recording five records in the 1940s and 1950s, including “Ya Awlad El-Arbane” and “Ahd Ethnein,” before stepping away from singing. After a 1951 accident sidelined her, she returned with Bachtarzi’s support, performing in Ahmed Tawfiq El-Madani’s adaptation of Shakespeare’s Othello, though she paused again from 1956 to 1963.
A Rich Legacy in Cinema and Theater
Post-independence, Kalthoum joined the newly nationalized Algerian National Theatre in 1963, debuting in Bachtarzi’s Marriage by Telephone. Her true cinematic breakthrough came in 1966 with Mohamed Lakhdar-Hamina’s The Wind from the Aurès, portraying a repressed rural Algerian woman during colonial rule. Her iconic image—tattered clothes, a worn basket in one hand, a chicken in the other—remains etched in Algerian cinema. The film won the Best First Film award at Cannes in 1967, with Kalthoum representing Algeria.
She continued collaborating with Hamina on films like December, Hassan Terro, and the Palme d’Or-winning Chronicle of the Years of Fire (1975), alongside works by other directors such as Beni Hendel, Years of Crazy Twist, Hassan Taxi, and Hassan Niya. Across her career, Kalthoum starred in about 20 films and over 70 plays, leaving an indelible mark as a creative pioneer who opened doors for women in Algerian arts.
