An American film publication, Collider, has recognized the Algerian-Italian film “The Battle of Algiers” as one of the three greatest anti-war films ever made. The ranking, published on Sunday, October 26, 2025, places it alongside cinematic masterpieces like “Threads” and “Apocalypse Now,” highlighting the film’s enduring impact and its profound message against conflict and oppression.
Collider’s list focuses on films that explore the human and political dimensions of war, and “The Battle of Algiers” stands out for its raw portrayal of the Algerian War of Independence and the brutal realities of French colonialism. Critics praise the film for its unflinching depiction of urban guerrilla warfare and its significant influence on political cinema. It has become a vital resource for understanding the dynamics of resistance movements and the complexities of armed conflict.
Directed by Italian filmmaker Gillo Pontecorvo and co-written by Algerian revolutionary Saadi Yacef, who also played a prominent role in the film, “The Battle of Algiers” was released in 1966. The film, shot in stark black and white, recreates the intense battles that took place in Algiers during the Algerian War. Its gritty, documentary-style approach lends the film an unparalleled sense of authenticity, making it a compelling and impactful viewing experience.
The film’s realism has led to its use as a training tool in military academies worldwide. In 2003, The New York Times reported that the United States Department of Defense screened “The Battle of Algiers” to analyze the French army’s mistakes in Algeria following the invasion of Iraq. This revelation underscores the film’s enduring relevance and its global influence on strategic thinking and conflict resolution.
“The Battle of Algiers” premiered at the Venice Film Festival on August 31, 1966, where it won the prestigious Golden Lion award. It was later released in Algeria, Italy, and the United States in 1967. The film also received the Critics Award at the Cannes Film Festival and was nominated for three Academy Awards: Best Film, Best Director, and Best Original Screenplay. Although it did not win any Oscars, its nominations cemented its place in cinematic history.
The 117-minute film was shot in Arabic, French, and English, reflecting the multilingual realities of Algeria during the colonial era. Produced with a budget of approximately $800,000, “The Battle of Algiers” grossed over $900,000 worldwide, demonstrating its widespread appeal and commercial success. The film’s production also benefited from the contributions of cinematographer Marcello Gatti, composer Ennio Morricone, and producer Antonio Musu.
The recognition from Collider adds to the film’s already impressive list of accolades and honors. In 2012, the British Film Institute’s Sight & Sound magazine ranked “The Battle of Algiers” 48th on its list of the greatest films of all time. Empire magazine also included it in its list of the 500 greatest films in history, placing it at number 120. Furthermore, it has been consistently recognized as one of the top 50 historical films ever made.
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Nearly six decades after its release, “The Battle of Algiers” continues to resonate with audiences worldwide. Collider emphasizes that the film’s anti-colonial and anti-imperialist message remains powerful and relevant today. It fearlessly exposes the harsh realities of French occupation and the struggles faced by the Algerian people in their fight for independence. More than just a work of art, “The Battle of Algiers” stands as a timeless testament to the human spirit and the unwavering pursuit of freedom.
The film’s enduring significance lies not only in its historical accuracy but also in its artistic merit. Pontecorvo’s direction is masterful, capturing the chaos and intensity of urban warfare with remarkable realism. The performances of the cast, many of whom were non-professional actors, are authentic and compelling, adding to the film’s emotional impact. The use of black and white cinematography further enhances the film’s documentary feel, creating a sense of immediacy and urgency.
“The Battle of Algiers” is a landmark achievement in Algerian cinema and a powerful statement against oppression and injustice. Its inclusion in Collider’s list of the greatest anti-war films of all time is a testament to its enduring legacy and its continued relevance in the 21st century. The film serves as a reminder of the human cost of conflict and the importance of fighting for freedom and self-determination. It is a film that should be seen by everyone who cares about social justice, human rights, and the power of cinema to effect change.
The film’s impact extends beyond the realm of cinema. It has influenced political movements, military strategies, and academic discourse. It is a film that challenges viewers to confront uncomfortable truths about colonialism, imperialism, and the use of violence in the pursuit of political goals. “The Battle of Algiers” is not just a historical document; it is a work of art that continues to provoke, inspire, and educate audiences around the world. Its enduring legacy is a testament to its power and its importance as a cultural and historical artifact. The film’s unflinching portrayal of the brutality of war and the resilience of the human spirit ensures its place as a cinematic masterpiece for generations to come.
DZWatch commends Collider for recognizing the enduring power and importance of “The Battle of Algiers.” This recognition underscores the film’s significance as a cultural and historical artifact and its continued relevance in the 21st century. It is a film that deserves to be seen and discussed by audiences around the world, and we hope that this recognition will encourage more people to discover and appreciate its power and its message.
