Published: Thursday, January 9, 2025, 13:53
Category: Culture
Algiers – On Wednesday, Professor Makhlouf Boukrouh led a conference in Algiers titled “60 Years of Artistic Creativity and Challenges,” reflecting on the Algerian theatre movement’s long-standing struggle and civic engagement before and after independence.
The conference, held at the Mohamed Ben Khattaf Hall at the Mahieddine Bachtarzi National Theatre, explored several themes, including the birth of Algerian theatre in the 1920s, comparisons with theatres in major global cities, and key developments in Algerian theatre post-independence.
Professor Boukrouh emphasized that Algerian theatre draws its richness from the historical and societal constraints faced daily by the Algerian people, who sought an outlet for humor and satire in their lives. He cited “Joha,” a play performed by Allalou in 1926, as an example of theatre’s role in offering a fresh perspective on daily life.
The former director of the Algerian National Theatre also highlighted the contribution of the National Liberation Front’s theatre troupe, established in Tunisia in 1958 under playwright and freedom fighter Mustapha Kateb. This troupe played a pivotal role in internationalizing Algeria’s cause during the war and advancing Algerian theatre, winning numerous awards at international cultural events both before and after independence.
Professor Boukrouh pointed out that, despite lacking the resources of theatres in major “Western” cities, Algerian theatre became dynamic and innovative. By incorporating cultural elements such as storytelling and traditional narration, it developed a unique theatrical style.
Regarding the establishment of the Algerian National Theatre, the speaker highlighted the significance of the decision to nationalize Algiers’ former opera house on January 8, 1963, marking the foundation of the National Theatre of Algeria. This step was a continuation of Algeria’s theatrical movement and established the theatre as the first cultural institution formally recognized in the laws of independent Algeria.
Professor Boukrouh concluded by noting that many Algerian playwrights drew inspiration from Western dramatists, while each generation of artists left its distinctive mark on theatre productions. The themes explored and the unique presentation styles reflected Algeria’s evolving social and cultural context.
Source: DZWATCH
Author: Nor-Eleslam
